Collegiate Saint-Barthélémy
The temple was funded by the priest of the cathedral of Saint Lambert, Godescalc de Morialmé, during the reign of Prince-Bishop Baldéric (1008-1018), successor of Notger. It is a valuable testament to the Romanesque architecture of the Rhine-Mosaic style. Built outside the city walls on the initial plan of the Latin cross, the collegiate church was rebuilt several times. The eastern choir (presbytery), with a flat end wall, dates from the end of the 11th century. Transept and three naves were added at the beginning of the 12th century. The huge western wing ("Westwerk") forming the front part was built last, around 1170-1185. The church was restored in the 14th and 16th centuries and modernized in the 18th century.
After the reconstruction of the choir (around 1706), two additional aisles were added (around 1735-1748), and a monumental portal was carved in the main facade, which replaced the original side entrances. The building is topped with a vault, and from the inside it is covered with stucco and painted decorations. After the dissolution of the collegiate chapter (1797), the church of Saint Bartholomew was converted into a military magazine. The collegiate church was restored to the religious cult in 1803 a year, since then it was a parish church. Her possession was then increased by the famous baptismal font from the Notre Dame-aux-Fonts church (one of the "seven wonders of Belgium"), a carillon from the Val-Saint-Lambert abbey and a beautiful set of sculptures from the Saint-Thomas parish church, destroyed at the beginning XIX century. In the years 1999-2006 the church underwent a thorough renovation.
After the reconstruction of the choir (around 1706), two additional aisles were added (around 1735-1748), and a monumental portal was carved in the main facade, which replaced the original side entrances. The building is topped with a vault, and from the inside it is covered with stucco and painted decorations. After the dissolution of the collegiate chapter (1797), the church of Saint Bartholomew was converted into a military magazine. The collegiate church was restored to the religious cult in 1803 a year, since then it was a parish church. Her possession was then increased by the famous baptismal font from the Notre Dame-aux-Fonts church (one of the "seven wonders of Belgium"), a carillon from the Val-Saint-Lambert abbey and a beautiful set of sculptures from the Saint-Thomas parish church, destroyed at the beginning XIX century. In the years 1999-2006 the church underwent a thorough renovation.
On the sandstone walls of the transept and the central nave, there are decorations in the form of pilaster tiles (a flat vertical projection in the outer wall). characteristic of the Romanesque architecture of the Meuse region. The protruding vertical pilaster strips alternate with semicircular niches and are topped with an arcade frieze running under the cornice (the so-called Lombard system).
Westwerk, rising on the west side, also made of sandstone, is a unique example of a 12th-century Romanesque style from the Meuse region. It has the shape of a cuboid with dimensions: height 22 meters, length 28 meters, depth 12 meters. Lizens and arcades, leaning on narrow columns of limestone, diversify its three-level facades. The mighty block of Westwerk forms the basis for two twin towers, built on an almost exact square plan. The towers have two floors with double, decorated windows (biforias) and, as before, are decorated with pilaster strips. The towers are crowned with triangular gable pediments and a hip roof with diamond-shaped tracts.
Westwerk, rising on the west side, also made of sandstone, is a unique example of a 12th-century Romanesque style from the Meuse region. It has the shape of a cuboid with dimensions: height 22 meters, length 28 meters, depth 12 meters. Lizens and arcades, leaning on narrow columns of limestone, diversify its three-level facades. The mighty block of Westwerk forms the basis for two twin towers, built on an almost exact square plan. The towers have two floors with double, decorated windows (biforias) and, as before, are decorated with pilaster strips. The towers are crowned with triangular gable pediments and a hip roof with diamond-shaped tracts.
W prezbiterium znajduje się ołtarz główny ozdobiony obrazem Engleberta Fisena (1655-1733), przedstawiający męczeństwo św. Bartłomieja. W pięciu nawach kościoła zgromadzono wiele dzieł sztuki. W prawej części transeptu znajdziemy obraz, Wyniesienie św. Krzyża, który namalował najbardziej utalentowany malarz XVII- wieczny, w Liege, Bertholet Flemala (1614-1675). W lewej części transeptu wisi obraz Ukrzyżowanie z 1684 roku, którego autorem jest Engelbert Fisena. Obraz ten, stworzony dla ołtarza głównego w kościele Sainte - Madeleine, uznawany jest za jedno z największych osiągnięć tego XVII-wiecznego malarza. W starym ołtarzu, widocznym w prawej nawie bocznej, można podziwiać Ostatnią wieczerzę ( 1708), obraz który namalował Theodore - Edmund Plumier ( 1671-1733 ).
You can also admire the wooden sculptures painted in imitation of white marble. Here you can see the sculptural artistry school, the eighteenth-century Liege. The monumental organ, completed in January 7 1852 year, are the work of factory Merklin and Schütze. Joinery organ is the work of sculptor PN Radino.
The most important treasure in the collegiate church is undoubtedly the baptismal font, it ranks among the seven wonders of Belgium. It comes from the church of Notre Dame - aux - Fonts. Located near the Cathedral of Saint - Lambert church of Notre Dame was the baptistery. Both churches were destroyed in the period that came after the French Revolution and ended the time of independence Liege. The lid of the font, which, like the tub was to be made of brass, and are decorated with figures of prophets and apostles, disappeared. Baptistery is a great example of a skilful combination of elements of antiquity, Byzantine art and traditions mozejskiej. The only theme that is repeated in five successive stages in the form of wypukleń on the wall of the vat, is baptism.
Kadź ustawiona jest na kamiennym cokole i wydaje się być podpierana przez woły., których pierwotnie było dwanaście (pozostało dziesięć). Są one symbolem dwunastu apostołów. Stylizowane drzewa noszą znamiona wpływów bizantyjskich. Rozdzielają one większość scen, a zarazem stanowią między nimi przejście. We wszystkich scenach postać centralna-kaznodzieja lub chrzciciel-jest nieco wyższa od pozostałych otaczających ją osób. Tego typu sposób prezentacji chętnie stosowany był w sztuce ludowej wszystkich czasów i krajów, jednak tutaj artysta tak skomponował sceny, że dysproporcja ta wydaje się naturalna. Wyryte na kadzi inskrypcje pozwalają zidentyfikować wszystkich bohaterów. Mamy tutaj: przepowiednię Jana Chrzciciela, chrzest neofity lub chrzest skruchy, scena centralna chrzest Chrystusa, chrzest Korneliusza, chrzest Kratona.
Chrzcielnicę wykonano metodą na wosk utracony. Polega ona na tym, że wyrabiany w wosku model zostaje starannie pokryty gliną. Po wysuszeniu, tak przygotowaną formę wypala się w ogniu. Na tym etapie wypływa z niej wosk, który zostaje utracony. Następnie do formy wlewa się stopiony mosiądz. Po ostygnięciu i usunięciu gliny zostaje poddany szlifowaniu drobnym piaskiem, a następnie pokryty cienką powłoką ze złota.
Chrzcielnicę wykonano metodą na wosk utracony. Polega ona na tym, że wyrabiany w wosku model zostaje starannie pokryty gliną. Po wysuszeniu, tak przygotowaną formę wypala się w ogniu. Na tym etapie wypływa z niej wosk, który zostaje utracony. Następnie do formy wlewa się stopiony mosiądz. Po ostygnięciu i usunięciu gliny zostaje poddany szlifowaniu drobnym piaskiem, a następnie pokryty cienką powłoką ze złota.
Adres:
Place Saint Barthelmy 8 4000 Liege |
Godziny otwarcia:
poniedziałek-sobota: 10.00-12.00 i 14.00-17.00 niedziela: 14.00-17.00 Msze święte: wtorek-sobota: 18.00 niedziela: 9.30 |
Ticket price:
2 euros |